Ideas Made of Light

As I recently said on Facebook, “How have I not been aware of Donato Giancola before now?” This one stopped me as I was going through Spectrum 16, and I’ve kept coming back to it. The Archer of the Rose is the cover for Kathleen Bryan’s The Last Paladin by Tor books. We’ll look at the picture’s development and its use as a cover. Giancola likes to start with strong abstract compositions as the base and then work toward strong realism. We’ll look at the abstract patterns he uses and how they guide the eye, and we’ll also look at some of his finely detailed rendering. Finally, we’ll look at the thought and research that went into the narrative and characterization. For example, Persian manuscript covers inspired the patterns on the shields, yet the armor styles are more western European. What does this tell us about the events in the scene, and how does it contribute to mood and theme?

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So I’m finally back after the hiatus. I’ve been antsy about the time off, so I’m glad to get to this one. I first ran into Charles Vess’ work in the Sandman comics and his association with Neil Gaiman (Stardust, The Blueberry Girl, etc.). I find it easy to pick out his art based on style alone, and I also think it draws heavily on golden age illustrators like Rackham and Dulac. (I just picked up a good book on Dulac, so I’ll be doing one of his soon).

Vess’ book Drawing Down the Moon is a great overview of his work. (Great production values too – the chapter division pages are really cool.) I picked The White Goddess because it’s a rare opportunity to see two finished versions of the same piece – one in color and one in black and white. What decisions does Vess make differently based on the choice of medium? We’ll look at several examples, plus we’ll check out the overall composition.

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